George M. Johnson http://george.local George M. Johnson Wed, 28 Jul 2021 21:42:10 +0000 en-US hourly 1 http://george.local/wp-content/uploads/2018/11/cropped-favicon-32x32.png George M. Johnson http://george.local 32 32 Join George as He Reads Marisa on the Mountain http://george.local/read-marisa-on-the-mountain/ http://george.local/read-marisa-on-the-mountain/#respond Wed, 28 Jul 2021 21:29:04 +0000 http://george.local/?p=414 Join George on the top of “Pimple” mountain in Kamloops B.C. as he reads an excerpt from his latest book, Marisa and the Mountains.  You can read more about the book on the website.

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George Reads: How Hope Became an Activist http://george.local/george-reads-how-hope-became-an-activist/ http://george.local/george-reads-how-hope-became-an-activist/#respond Sun, 15 Nov 2020 09:26:56 +0000 http://george.local/?p=371 In celebration of the book launch of How Hope Became an Activist, George has a few words to share from inside his backyard tree loft:

You can read more about the title at

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Mockus Plays in Calgary, March 26-April 4th, 2020! http://george.local/mockus-plays-in-calgary-march-26-april-4th-2020/ http://george.local/mockus-plays-in-calgary-march-26-april-4th-2020/#respond Wed, 11 Mar 2020 02:03:22 +0000 http://george.local/?p=294 Update: Unfortunately, due to Covid19 and the ensuing social responsibility, Mockus in Calgary has been cancelled. I want to thank the cast and crew who put so much energy into the production. I’m saddened that your efforts may not make it to stage this year, but your work on the play is appreciated.

I am so excited that my play Mockus will be receiving its premier production in Alberta in just a few weeks (Mar. 26-Apr. 4th, Jupiter Theatre Company at the West Village Theatre. Details here: I first wrote this play quite a few years ago after hearing activist Mary-Wynne Ashford speak at TRU about the anti-politician Mayors of Bogotá, Colombia, particularly Antanas Mockus, and by the description in her book Enough Blood Shed: 101 Solutions to Violence, Terror and War. Mockus employed creative antics, such as replacing corrupt traffic cops with street mimes and developing a “vaccine against violence” to encourage people to overcome the city’s severe social and environmental ills, with varying degrees of success. Mockus held the Mayor’s office twice, from 1995-97 and 2001-2003. Since he attacked corruption, he faced stiff opposition and was called a clown. This gave me an idea….

The more I read about Antanus Mockus, the more I was inspired by him, and I realized that I couldn’t not write about him. He provoked incredible change for the better in his city in a very short time period. He became one of my few heroes. It seems to me as though we have too many super heroes and not enough real heroes like Mockus. Although he hailed from an immigrant Lithuanian family, he managed to challenge the power elite and inspire ordinary people through his brilliant social experiment, treating Bogotá as a massive classroom. Trained as a philosopher and mathematician, he realized the crucial importance of the arts and creativity in bringing about social change, and in a so-called developing country. I thought, we have much to learn here, and we need to hear this story in North America.

When I began this project, George W. Bush and Stephen Harper were in power, and my feeling was that we desperately needed to change how we do politics. I could not have predicted how political divisiveness would increase since then. Mockus takes a playful, creative approach to politics and will make you laugh (as well as cry) – don’t we need more playfulness, creativity and empathy in today’s world?

If you live in Calgary, I hope you get a chance to enjoy the show. Jupiter Theatre hopes to take it on the road this summer, so stay tuned for updates!

Here is some background on Antanus Mockus’s amazing impact:

Announcement: December 10, 2016. Nobel Peace Prize awarded to Colombian President Juan Santos.

December 1, 2016. Colombia’s Congress debated, then voted to ratify, the government’s revised peace accord with the FARC guerrilla group after 52 years of civil war. A war that scarred the lives of over 8 million people, approximately 15% of the population.

How on earth did Colombia make it to this point, after fifty-two years of civil war?

The answer is as muddy as Colombia’s Magdalena River, but we can tell you that an amazing, inspired man named Antanas Mockus played a significant role.

Imagine it’s 1993 in Bogotá, Colombia, a city of approximately 4,000,000 people. It’s crime-ridden and drug-ridden. Social cleansing vigilante groups, sometimes working with police complicity, have killed at least 2000 waste collectors, beggars, and prostitutes – they refer to them as “disposables.”

Over on the academic front, the President of the National University has just mooned an auditorium of unruly students. Enter Antanas Mockus, said President.

His defence: “innovative behavior can useful when you run out of words” he claimed, and also that his act was a type of “symbolic violence.”

In the uproar that followed, he was forced to resign. So, naturally, he decided to run for Mayor of Bogota. And, naturally, he won. Even though, as he admitted he did not even know the city’s police code when he took office.

A mathematics professor and a philosopher – what an unlikely person to become Mayor. And yet, Mockus was just the person that people wanted, someone not mired in traditional political thinking, someone with innovative, creative ideas.

He wrote that, “knowledge empowers people. People know the rules, and are sensitized by art, humor, and creativity, they’re much more likely to accept change.” He also said, “we need to create a society in which civility rules over cynicism and apathy.”

Nice sentiments, but how did he actually put this into practice? Well, for one, he distributed 350,000 thumbs up and thumbs down cards to ordinary citizens and asked them to use them. If they saw someone doing something positive, like picking up trash, they showed them the thumbs up sign; when they observed someone doing something negative they showed them the thumbs down sign, without approaching them. Many people carried this out actively – and peacefully.

Mockus also mobilized people to protest against violence and terrorist attacks. He invented a “vaccine against violence,” asking people to draw faces of those who had hurt them on balloons, which they then popped. About 50,000 people participated in this campaign.

He held voluntary disarmament days in 1996 and again 2003. Though people turned in less than 1% of the firearms in the city, homicides fell by 26%, thanks for part to the attention given to the program by the media.

Remarkably, during his term, homicides dropped from 80 per 100,000 inhabitants in 1993 to 22 per 100,000 inhabitants in 2003.

He launched a “Night for Women” and asked the city’s men to stay home in the evening and care for the children; 700,000 women went out in the first three nights Mockus dedicated to them, flocking to free, open-air concerts. They flooded into bars that offered women-only drink specials, and they strolled down the central boulevard that had been converted into a pedestrian zone. In this patriarchal society, this initiative met with opposition and about 200,000 men went out that night, some of them angrily calling Mockus a clown; however, most men graciously embraced Mockus’s campaign. In one neighborhood, when women saw a man staying at home, carrying a baby, or taking care of children, they stopped and applauded.

He also dealt with pressing environmental issues with characteristic flair and effectiveness. When there was a water shortage, Mockus appeared on television taking a shower and turning off the water as he soaked, asking citizens to the same. In just two months people were using 14% less water, a savings that increased when people realized how much money they were also saving because of economic incentives approved by Mockus; water use dropped by 40% during his term.

He fought continuously against corruption, closing down the transit police because they were notoriously bribable, and replacing them with 420 mime artists, to make fun of traffic violators. He said, “it was a pacifist counterweight. With neither words nor weapons, the mines were doubly unarmed. My goal was to show the importance of cultural regulations.”

He vigorously opposed patronage in city hirings, to the point where he was called an anti-patronage fundamentalist. One can only imagine that he laughed this off as his campaign became successful.

Perhaps most impressively and incredibly, he asked citizens to voluntarily donate an extra 10% in municipal taxes. Many scoffed, until 63,000 people donated. If so many people willingly parted with their money in order to see their city flourish, Mockus must have been doing something right, wouldn’t you say?

It’s no wonder that he became Bogotá’s supercitizen. He actually dressed up in a superman-like cloak, bulletproof because of threats against him, but with characteristic fearlessness and courage he had a heart-shaped piece cut out of the flak jacket over his heart.

Mockus achieved all this during two short terms as Mayor, from January 1990 5 April 1997 and from January 2001 December 2003. I wish I had been there to witness this.

By the time his term ended, his initiatives had become so well-known and empowering that he was asked by several US universities to share lessons about civic engagement. I wonder whether the Yanks could use his wisdom once again?

He then ran for president of Colombia several times, without electoral success. However, in 2010 when he ran for the Green Party, he unleashed a green wave of support from young people, and arguably might have won the election had it not been for considerable corruption. This is detailed in the documentary Life is Sacred. Although supporters urged him to contest the election, he refused to, saying that it would destroy people’s faith in the electoral process.

Instead, when he saw that his opponent Juan Santos had started to put into practice Mockus’s platform, remarkably he joined forces with the new President.

Even though Antanus Mockus now suffers from Parkinson’s disease, he is still active in politics, most recently as a Senator for the Green Alliance Party, and he remains controversial. He was just removed from his seat on a technicality because his think tank had a contract in the province in which he was elected. Nevertheless, he has inspired a whole new generation of so-called alternative, anti-corruption politicians in Colombia.

Mockus continues fighting for peace and justice. This is perhaps best captured when he dismantled a rifle at a public rally and urged ordinary Colombians to turn in their weapons and vote for the peace accord. His motto: “Life is sacred.”

More information on Mockus can be found here:

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New Screenplay – Rest Assured http://george.local/new-screenplay-rest-assured/ http://george.local/new-screenplay-rest-assured/#comments Sat, 08 Jun 2019 22:23:30 +0000 http://george.local//?p=273 A harried HOMEOWNER opens his door to two strange solicitors… with resounding consequences…

Rest Assured is an Official Selection and top ten Finalist in the Houston Comedy Film Festival and an Official Selection in the Georgia Shorts Film Festival.

Interested in reading the full script? Email George here.



Read a preview:


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Grief in victory: Therapeutic writing helped to heal a nation after the First World War http://george.local/grief-in-victory-therapeutic-writing-helped-to-heal-a-nation-after-the-first-world-war/ http://george.local/grief-in-victory-therapeutic-writing-helped-to-heal-a-nation-after-the-first-world-war/#comments Sat, 01 Dec 2018 10:30:22 +0000 http://george.local//?p=130 My latest piece, originally published a few week ago in The Conversation. Your comments are welcome!

Most people have seen images of Allied victory celebrations marking the end of the First World War, but was everyone in a celebratory mood? For many, grief overwhelmed relief. Grief was arguably the defining experience of the entire conflict. However, the psychology of that grieving has been relatively overlooked.

The British, in particular, are famous for needing to show a stiff upper lip when facing loss. But what lies behind that facade? Cultural icons of the day, including Arthur Conan Doyle, Rudyard Kipling and J.M. Barrie, as well as the emerging writer Virginia Woolf reveal insights into the experience of grief at the moment of victory.

Like an approximate three million British people, these writers had also lost loved ones during the war, but their grieving was shaped by prewar traumatic losses. Unlike most, they had the capacity to renegotiate loss through creative writing that could be therapeutic. As wounded healers, they shaped and gave voice to the culture?s collective trauma.

Prayer not celebration

These writers articulated bereavement on Armistice Day regardless of their initial stance towards the war. Arthur Conan Doyle initially treated the war as an adventure, publicly proposing inventions such as life belts for sailors. Rejected for service because of his age, he wangled his way to the ?wonderful? front wearing a fake uniform ostensibly to collect information for his six volume study of the war.

By Armistice Day his attitude had changed dramatically. At 11 o’clock he saw a flag-waving woman waltz into his staid hotel. He rushed to Buckingham Palace where he witnessed singing, cheering and a man downing a bottle of whisky raw. This angered him since, ?It was the moment for prayer.? Doyle?s eldest son Kingsley had died two weeks earlier from influenza, weakened from war service.

Arthur Conan Doyle, journalist Robert Donald and a French officer on the Western Front. SOURCE?

Shocked and stupefied

Rudyard Kipling penned propaganda and actively recruited soldiers for the war, including his son John, pulling strings to get him enlisted even though the boy?s poor eyesight made him unfit for service. He was killed just weeks after reaching the front in 1915, his body never recovered despite his father?s obsessive efforts to find the grave. This story is told in a compelling film My Boy Jack.

On Armistice Day, Kipling?s reaction, expressed in a letter to a fellow bereaved father was intense, ambivalent and dark. He captured his shock graphically: ?Here we are in England ? dazed and stupefied with the guts of Central Europe trailing round our legs ? the whole shoot collapsed like the last scene of some Wagnerian opera.?

He was angry that the ?Hun? was not pursued further, back into Germany. Finally, his grief surfaced: ?We feel the loss of our young ?uns more bitterly now in peace, even than we did in the heat of the war of the early years.? He closed the letter by revealing that he had escaped the peace celebrations and ?bolted home from town and had my dark hour alone.?

Lost boys

J.M. Barrie had also supported the war effort, but anxiety regarding his surrogate sons (and the models for Peter Pan and the lost boys) the Llewelyn-Davies boys, two of whom joined up, shifted his attitude. When George Llewelyn Davies was killed in 1915 Barrie was devastated.

J.M. Barrie playing Neverland with Michael Llewelyn Davies. Sylvia Llewelyn DaviesCC BY

In Paris on the 11th of November, J. M. Barrie found most memorable ?the happy faces,? but they revealed to him, ?it is finished? rather than ?we have won.?

A pacifist mourns

Virginia Woolf was a pacifist, and so one would expect that she would be elated at the end of the war. However, she also lost loved ones during the conflict. Her childhood friend and fellow writer, Rupert Brooke, died in Greece; in 1915, two of her cousins died. Her brother-in-law, Philip Woolf, was severely wounded and the other, Cecil Woolf, killed, both in 1917.

Portrait of Virginia Woolf, 1917. Roger Eliot FryCC BY

On Armistice Day, Virginia Woolf wrote to her sister, the painter Vanessa Bell, and told her she felt ?immensely melancholy.? She said rejoicing ?has been very sordid and depressing.? She lamented the ?very sentimental or completely stolid reaction of the London poor,? and then added, ?but I suppose the poor wretches haven?t much notion how to express their feelings.?

She implies that she has the advantage of being able to articulate her feelings of grief in words, while others cannot and so they fall back on blunted, mindless celebrations.

Wounded healers

Many writers possess this gift of seeing and expressing what others cannot. But in many cases, this has been gained at great cost. In Mourning and Mysticism in First World War Literature, I detail the severe trauma that all of these writers suffered in earlier years, from Kipling being abandoned in England by his parents from age six to 12, not knowing when or if they would return from India, to Virginia Woolf suffering sexual abuse and the loss of her mother at age 13.

I believe the writers developed an insecure-avoidant attachment pattern that persisted into adulthood. This means that they tended to suppress feelings and rely on cognition in relationships. According to attachment theorist Patricia Crittenden, approximately one-third of children manifest this pattern. In wartime, avoidant types cope by suppressing emotion, hence the stiff upper lip.

These writers demonstrate the more complicated pattern of being avoidant-resistant, meaning that in addition to dealing with feelings on a cognitive level, they tend to be preoccupied with past relationships. They think about feelings and attend to emotional cues carefully, skills actually advantageous to writers. They discover that losses can be renegotiated through imaginative play in the ordered and safe form of fiction.

Recalling the dead

Early loss for these writers sensitized them to loss during wartime and made them receptive to mysticism, whether through spiritualism or some other means of imaginative connection with the dead.

Arthur Conan Doyle and family, New York City, 1922. George Grantham Bain collection at the Library of CongressCC BY

Most famously, Doyle contacted family members through seances including his son, and helped others to do so. He wrote extensively about spiritualism, travelling the world as the St. Paul of spiritualism, and provided comfort for thousands, though this work has been disparaged by critics.

A week after his beloved George died, Barrie had his play, The New Word produced. It connects a father?s anxiety about his soldier son?s departure for the front with the loss of the boy?s brother as a child. Two other popular plays (both recently revived), Dear Brutus and A Well Remembered Voice, deal respectively with lost chances and a father?s enhanced relationship with the spirit of his soldier son.

After the war, Kipling wrote poems about grief far removed from earlier jingoism, and arguably his best short stories, masterpieces of compressed emotion. Several stories speculate about spiritual connections between soldiers and loved ones, such as ?A Madonna of the Trenches? and ?The Gardener.?

In her first modernist novel Jacob?s Room (1922), Woolf wrote a memorial to her brother Thoby, who died in 1906, overlaid by her testament to an unknown, universal soldier she named Jacob Flanders. In 1925 she explored the uncanny connection between a shell-shocked soldier and a society hostess in Mrs. Dalloway.

While writing proved only temporarily therapeutic to these writers, and war losses permanently altered their lives, they left a richly creative legacy that has outlived their grief and helped to heal a generation.

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(KTW) TRU prof’s Peace Pledge to be read during U.N. International Day of Peace events in Toronto Sat, 01 Dec 2018 01:16:31 +0000 http://george.local//?p=169 0 (TRU) Johnson?s Peace Pledge wins screenplay competition Sat, 01 Dec 2018 01:16:14 +0000 http://george.local//?p=167 0 (KTW) Review: Mockus premiered to world Wednesday Sat, 01 Dec 2018 01:15:46 +0000 http://george.local//?p=165 0 (Wildsound) Winning Feature Screenplay: Peace Pledge, by George M. Johnson Sat, 01 Dec 2018 01:10:49 +0000 http://george.local//?p=162 0